viernes, 24 de abril de 2015
Toby Dammit is such a wonderful little gem that is relatively obscure. It is a forty minute film made in 1968, is one of three short films adapted from stories by Edgar Allan Poe that were distributed together in Italy as Tre Passi Nel Delirio, in France as Histories Extraordinaires, and in England and the U.S. as Spirits of the Dead. The other two short films are William Wilson and Metzengerstein adapted by Louis Malle and Roger Vadim respectively. Fellini’s film is an adaptation set in contemporary Rome of Poe’s Never Bet the Devil Your Head published in 1841. Poe’s work is a brief comic satire of the transcendentalist movements that were then popular in Europe and America. Fellini’s work takes two elements from Poe’s story: First the plot of a drunk who confronts a mysterious stranger on a bridge and bets him his head; the man fails to see that the stranger is the devil who subsequently wins the bet. Second Fellini takes the name Toby Dammit, Toby being an English slang term for ass in Poe’s time. In short Toby Dammit is a dammed ass.
The soundtrack is what I am sharing with you and it is truly remarkable. It was composed by Nino Rota who composed the scores to most of Felini's films. He also composed the score to the first two Godfather movies. A lot of this score is different variations of the same few themes but they are enchanting themes that mimic the dreamlike quality of the film.
Download Toby Dammit OST
domingo, 18 de marzo de 2012
The Best of Cannon’s Jug Stompers
Biographical information from the now defunct collective blog Music A-K-O
Translated from Spanish by yours truly.
Gus Cannon was born on September 12th 1883 on the plantation of Henderson Newell in Marshall Country, Mississippi. His father had been a slave and Gus was the youngest of ten children. In 1895 Gus went with his brother Tom to Clarksdale to work in cotton fields. At that time Gus started to become interested in music. He built a banjo out of the neck of a guitar and a kind of pot used to bake bread. Gus began to pick up on the songs of the people of Clarksdale and he was taught some musical techniques by a musician named Bud Jackson. Gus got his first real bajno from his brother who he beat in a game of dice.
They say that jug bands started at the beginning of the century in Louisville, Kentucky, and that they played a mix of early jazz, country, and songs with ragtime roots. By 1910 Gus Cannon had gone to work at a plantation near Ashport, Tennessee, where he formed his first jug band with Jim Turner. Jug bands were very popular at the time and usually consisted of a jug, violin, banjo, and sometimes a guitar or mandolin.
In 1928 Ralph Peer of Victor, which had recorded other popular jug bands in Memphis, went looking for other bands to record. Charlie Williamson, a man who at that time owned the Palace Theatre told him that he knew a guy named Gus Cannon who played in one. By that time Gus had attached the jug to the neck of his banjo and was able to play both at the same time. Gus called up a harmonica player named Noah Lewis who was known for being able to play two harmonicas at the same time. Gus had met him in 1907 when he worked at the Ashport plantation near Ripley, Tennessee. He also called Ashley Thompson and the three of them formed Cannon’s Jug Stompers. Later they would add more people like John Estes on guitar, Yank Rachel on mandolin, and various unknown musicians who would sit in from session to session. Gus’ band recorded a total of 26 sides between the 30th of January 1928 and the 28th of November 1930. You’ve got to hear this smokin’ hot music that just makes you want to live, soak up the sun, and smile. Listen to Going to Germany and you’ll see what I mean.
Image: Gus Cannon in 1963, via Memphis Music Stars
miércoles, 14 de marzo de 2012
Stan Seymour - Everybody Loves Bermuda
I got this record at 641 RPM in Boone, North Carolina. I was happily surprised when I heard it. The styles really range in this one, it isn't like Trinidadian Calypso at all. It's uniquely Bermudan.
01. Everybody Loves Bermuda
02. The Radar Trap
03. Emerald of the Sea
04. Woman in Space
05. Mister Pipe
06. The Diddley Bops
07. Ballad of Christine
08. Bermuda Buggy Ride
09. Blue Bird
10. Weather Bird
11. Sonny Liston
12. Scarlet Ribbons
13. World Crisis
domingo, 4 de diciembre de 2011
How To Speak Hip
02 Basic Hip
03 Vocabulary Building
04 The Loose Wig
05 The Riff
06 The Hang Up
07 Put On, Put Down, Come On, Come Down, Bring Down
10 Field Trip No. 1
11 Field Trip No. 2
12 Field Trip No. 3
The Do It Yourself Psychoanalysis Kit
14 General Introduction To Psychoanalysis
15 Psychological Testing
16 Diagnosis and Therapy
17 The Psychoanalytic Session
18 The Diagnosis of Dr Siegfried Gesalt
This is a 2009 CD reissue of the classic 1959 comedy record How To Speak Hip. It’s really a gas. I couldn’t post this without giving credit to Owl who posted his record rip at Holy Warbles. This reissue includes another of Close’s comedy records The Do It Yourself Psychoanalysis Kit (released the same year on Hanover) which is hilarious in and of itself.
domingo, 27 de noviembre de 2011
Lone Ranger (born Anthony Alphanso Waldron) is a Jamaican reggae deejay who recorded nine albums between the late 1970s and mid-1980s. This is his 1982 album Hi-Yo, Silver, Away!
Waldron spent much of his youth in the United Kingdom and began his recording career with Clement “Coxsone” Dodd’s Studio One label. He initially worked as a duo with Welton Irie, but soon began recording solo, having a big hit in Jamaica with “Love Bump”. He also worked on the Virgo Sound sound system. He had a number one UK reggae chart album in 1980 with Barnabus Collins. He is regarded as one of the most lyrically inventive deejays of his era, and was a major influence on British deejays of the early 1980s. He relocated to the United States in the mid-1980s, but returned to Jamaica in 1998, and began performing on sound systems once again.
Hi-Yo, Silver, Away!01. Tom Drunk
02. Rub ‘N’ Scrub
03. Legalize The National Herb
04. Gunshot Mek Daughter Drop
05. Living As A Poor
06.Johnny Make You Bad So
07. The Clock
08. Lone Ranger and Tonto
10. Love Affair Problem
11. Johnny Make You Bad So (12” Mix)
12. Taxi Gang Outside Right
My personal favorites are track #5 and #7.
lunes, 2 de mayo de 2011
martes, 5 de abril de 2011
I found this record at Ed McKays Used Books And More which is where I usually spend my weekends now. It was made by an extremely obscure Los Angeles label called Olympic Records who started The Atlas Series in 1977 that featured music from all over the world. I presume the music was stolen from foreign labels that had no valid copyright in the United States. That was a common practice in the 70’s. They got lazy and left most of what was written on the record in French! I also have a Sitar album from the label if anyone wants me to upload it. The back of the record gives a brief history of the Pan Flute and similar instruments dating back to 618-900 AD. It was incredibly informative and interesting though it had little to do with the actual songs on the disc. It was also the only text translated from the original French.
Georges Schmitt – Pan Flute
Albert Levy – Organ and Piano
Roland Dyens and Jean-Pierre Semerraro – Guitar
Jean-Luc Ceddaha – Percussion
02 Suite Bretonne
05 A Mezzu Mare
06 Les Gardians
07 Si Re Do
08 Triste Est Le Ciel Folklore des Pyrénées
09 Suite Pyreneenne Los Caulets - Anem Petitons
10 La Danse de Biquette
11 Tambours de Guerre